Discussion about this post

User's avatar
Donal Moloney's avatar

Great analysis, thank you. It's important to realise that for people like Tomlinson, no amount of assimilation will ever be acceptable. Even if Katherine Birbalsingh was to jump through his hoops, he would pull out others, until eventually, for his final unanswerable trick, he will say that she and her students simply can never be authentically British by virtue of their ethnicity.

These debates have their precursor in 19th century Germany regarding the assimilation of Jews. Remember that Wagner's whole argument in relation to Jewish music is that is cannot be authentic. Bear that in mind when reading Tomlinson's insidious remarks about the performance of British identity.

Expand full comment
LaoCaiLarry's avatar

Tomlinson writes in trembling, overwrought prose (and North can be a windbag), but you haven't really rebutted them. There are just nine white British pupils at the school, and yet we’re told this is a triumph of “integration.” Into what, exactly? Into the exam system, the Ofsted checklist, the bureaucratic creed of “British values” stripped of anything distinctly British? And since when was a nation defined by it's values?

And the question that haunts the margins, do they remain Englishmen when they leave?, is the one the piece never dares to ask. Do they feel that quiet tug of continuity when walking through a churchyard, reading the names of the war dead? Do they feel kinship with that story, or merely admiration for its efficiency? The author cannot say, Much like the school itself, this piece tells people what they want to hear.

"His dead are in the churchyard, thirty generations laid.

Their names were old in history when Domesday Book was made"

Pete North’s ancestors have spoken English, Middle English, Old English, Britonnic (maybe Latin). Culture can be rebuilt.

Expand full comment
3 more comments...

No posts